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W młodym państwie bolszewickim kinematografia nie była wyłącznie dziedziną sztuki, lecz elementem projektu politycznego – środkiem edukacji mas, narzędziem legitymizacji władzy oraz budowania nowej, rewolucyjnej mitologii. Jednym z najbardziej znanych i wpływowych filmów tego okresu jest Pancernik Potiomkin (1925) w reżyserii Siergieja Michajłowicza Eisensteina. https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://schema.org/encodingFormat application/ld+json https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://schema.org/identifier https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9 https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://schema.org/license https://creativecommons.org/licenses/by/4.0/legalcode https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://schema.org/mainEntity Document https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://schema.org/name Esej "Historia i władza w „Pancerniku Potiomkinie” Siergieja Eisensteina" https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://w3id.org/ro-id/rohub/model#creation_mode MANUAL https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://www.opengis.net/ont/geosparql#hasGeometry https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/b90dd9f6-b4fc-44d9-8a7c-855d991ad9bb https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://purl.org/wf4ever/ro#ResearchObject https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://purl.org/wf4ever/roevo#LiveRO https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://schema.org/Dataset https://w3id.org/ro-id/e9de4f85-969b-411f-993b-bbb9178b37a9/ https://www.w3.org/ns/iana/link-relations/relation#cite-as W, Monika. 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